The TOBE Gallery hosts Anna Fabricius’s third solo show, Tiger, spotlighting her new photographic series on motherhood’s shifting timelines and meanings—both personal and social. Free to visit from May 29 to June 27, the exhibition tracks the emotional weather of a life stage that rarely takes center stage: when children pull away and the cycle turns, forcing a quiet renegotiation of roles, bodies, and identities.
Motherhood, Unposed
Fabricius isn’t chasing nostalgia. Her lens settles on the textures of change—domestic spaces that feel suddenly too large, gestures that once defined care now hovering in search of new purpose. The images insist that motherhood doesn’t end; it mutates, shedding skins as expectations and self-understanding collide.
Private Shifts, Public Echoes
Tiger reads the personal as political. As children grow and mothers recalibrate, the work maps how culture scripts femininity, then leaves women to edit those lines in real time. The result is a clear-eyed, tender study of separation, resilience, and the identities that emerge when the noise dies down.
